{"id":2129,"date":"2024-08-23T21:30:04","date_gmt":"2024-08-23T19:30:04","guid":{"rendered":"https:\/\/www.samverlen.com\/?page_id=2129"},"modified":"2024-09-08T18:15:25","modified_gmt":"2024-09-08T16:15:25","slug":"recherches-musicales","status":"publish","type":"page","link":"https:\/\/www.samverlen.com\/index.php\/recherches-musicales\/","title":{"rendered":"Recherches musicales"},"content":{"rendered":"

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RECHERCHES<\/h2>\n

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MUSICALES<\/h1>\n

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LES PIERRES SONORES<\/h2>\n

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Au d\u00e9part pour la cr\u00e9ation du spectacle \u00ab\u00a0L’homme montagne<\/a>\u00ab\u00a0, puis progressivement pris au jeu de la recherche sonore sur des mat\u00e9riaux toujours diff\u00e9rents par essence, porteurs d’histoires telluriques, nous avons cr\u00e9\u00e9 des pierres sonores avec le tailleur de pierre Lo\u00efc Maillard (entreprise Maillard et maillard<\/a> \u00e0 Lanh\u00e9lin) pour mes spectacles\u00a0 et performances<\/a>. Inspir\u00e9s par les travaux du plasticien Pinnuccio Scola, nous avons effectu\u00e9 des entailles r\u00e9guli\u00e8res dans la pierre \u00e0 des profondeurs variables (pour obtenir des notes diff\u00e9rentes). Apr\u00e8s avoir exp\u00e9riment\u00e9 sans succ\u00e8s avec le \u00ab\u00a0Bleu de Lanh\u00e9lin\u00a0\u00bb (granit local), nous nous sommes tourn\u00e9s vers des pierres plus denses et notamment la Dol\u00e9rite que l’on trouve dans les champs en Ille et Vilaine. Datant du N\u00e9oprot\u00e9rozo\u00efque (entre 300 et 200 millions d\u2019ann\u00e9es), riche en fer (induisant un son assez m\u00e9tallique), cette pierre sombre et ocre \u00e0 rouille en patine de surface est tr\u00e8s r\u00e9sistante et est localement nomm\u00e9e la pierre de fer par les agriculteurs.<\/span><\/p>\n

En plus des cr\u00e9ations pour mes spectacles, nous commen\u00e7ons \u00e0 proposer des conceptions de pierres sonores sur-mesures pour l’espace public notamment avec le plasticien Heol Jeffroy<\/a>. Les pierres peuvent \u00eatre r\u00e9alis\u00e9es \u00e0 partir de mod\u00e8les 3D scann\u00e9s, d\u00e9tour\u00e9s par une machine et finis \u00e0 la main pour un rendu unique. De quoi laisser une carte postale sonore pour les g\u00e9n\u00e9rations futures !<\/p>\n

Enfin, mes exp\u00e9rimentations continuent avec la plasticienne Betty Leroux pour la cr\u00e9ation de dispositifs sonores ludiques et interactifs bas\u00e9s sur de la r\u00e9cup\u00e9ration de pierres \u00ab\u00a0d\u00e9chets\u00a0\u00bb de l’entreprise Maillard et Maillard avec ici, une ma\u00eetrise du diapason de chaque \u00e9l\u00e9ment. Nous cherchons actuellement des lieux de r\u00e9sidence pour cr\u00e9er\/d\u00e9velopper nos installations.<\/p>\n

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<\/span><\/p>\n

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\u00c9LECTRO-MECANIQUE SONORE<\/h2>\n

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Au d\u00e9part pour la cr\u00e9ation du spectacle \u00ab\u00a0L’homme montagne<\/a>\u00ab\u00a0, puis progressivement pris au jeu de la recherche sonore et \u00e9lectro-m\u00e9canique, j’ai con\u00e7u des automates sonores<\/strong> avec le constructeur machiniste Fran\u00e7ois Marsollier.<\/p>\n

Afin de piloter par ordinateur ces instruments (en MIDI comme des synth\u00e9s ou des BAR)\u00a0<\/strong> actionn\u00e9s par des \u00e9lectro-aimants, des capteurs et\/ou des moteurs, j’ai cr\u00e9\u00e9 des modules \u00e9lectroniques et programm\u00e9s des micro-processeurs low-tech<\/strong>, tr\u00e8s peu consommateurs en \u00e9lectricit\u00e9 (Teensy \/ Arduino). Le tout, sous les conseils avis\u00e9s de R\u00e9gis Cocagne et Christian Fromentin.<\/span><\/p>\n

Je dispose actuellement de diff\u00e9rents automates jouant avec moi en direct sur sc\u00e8ne :
– calebasse<\/strong> frapp\u00e9e par une mailloche actionn\u00e9e par un \u00e9lectro-aimant pour r\u00e9aliser un son de grosse caisse (une fois sonoris\u00e9e)
– caisse claire<\/strong> frapp\u00e9e par dessous par un \u00e9lectro-aimant
– cercle \u00e0 cymbalette<\/strong> frapp\u00e9 par un \u00e9lectro-aimant
– cymbale<\/strong> crash frapp\u00e9e par dessous par un \u00e9lectro-aimant
– Air compress\u00e9 et filtr\u00e9<\/strong> rythm\u00e9 par des electro-vannes
– \u00c9oliphone<\/strong> (simulant le bruit du vent) actionn\u00e9 par un moteur
– Ventilateurs d’ordinateurs avec g\u00e9latines sur bois simulant le bruit d’un envol d’oiseau<\/strong>
– Montagne de la chance<\/strong>, instrument inspir\u00e9 du \u00ab\u00a0jeu du fakir\u00a0\u00bb en bois et permettant de g\u00e9n\u00e9rer de la musique al\u00e9atoirement. A partir de capteurs fin de course et d’une structure en bois r\u00e9alis\u00e9e en Fablab.<\/p>\n

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Actuellement, mes recherches en \u00e9lectro-m\u00e9canique sonore se focalisent sur des modules d’orgue \u00e0 tuyaux transportables<\/strong> et disposant d’\u00e9lectro-aimants sous chaque tuyau, le rendant pilotable par ordinateur comme mes autres automates.<\/p>\n

Depuis quelques mois, j’ai la chance de participer, avec Fran\u00e7ois Marsollier \u00e0 l’am\u00e9lioration m\u00e9canique, esth\u00e9tique, fonctionnelle et logicielle de Phil\u00e9as<\/strong>, orgue modulaire cr\u00e9\u00e9 par Yves Yollant pour l’association Musiques Rive Gauche<\/a> de Dinard (avec des cartes \u00e9lectroniques cr\u00e9\u00e9es par Pascal Leray).<\/p>\n

Cet instrument a \u00e9t\u00e9 cr\u00e9\u00e9 \u00e0 partir de tuyaux, p\u00e9dalier et sommiers d’anciens orgues d’\u00e9glise et ont \u00e9t\u00e9 compl\u00e8tement \u00ab\u00a0re-conditionn\u00e9s\u00a0\u00bb (r\u00e9nov\u00e9s et adapt\u00e9s).\u00a0 La d\u00e9marche de Musique Rive Gauche que je partage est \u00e0 la fois p\u00e9dagogique et aussi de \u00ab\u00a0d\u00e9-construire\u00a0\u00bb l’image de l’instrument<\/strong> dont l’usage n’est souvent associ\u00e9 qu’\u00e0 la liturgie dans l’inconscient collectif. Il s’agit ici, comme son usage initial (3 si\u00e8cles avant JC), de pouvoir l’utiliser en dehors des \u00e9glises en y interpr\u00e9tant des r\u00e9pertoires vari\u00e9s (musique classique, jazz, chanson, \u00e9lectronique,…).<\/p>\n

Je commence \u00e0 composer des musiques actuelles sur-mesure pour cet instrument unique<\/strong>, enti\u00e8rement pilotable par ordinateur comme n’importe quel synth\u00e9tiseur.
De la musique \u00ab\u00a0n\u00e9o-classique\u00a0\u00bb (\u00e9lectronique, minimaliste) avec une folle envie de m\u00ealer ces tuyaux \u00e0 mes automates existants \u00e0 l’avenir pour des concerts…\u00a0\u00a0
Vous pouvez d\u00e9j\u00e0 \u00e9couter quelques premi\u00e8res exp\u00e9rimentations par ici !<\/a><\/p>\n

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TRANS-DISCIPLINARIT\u00c9<\/h2>\n

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Mes cr\u00e9ations de spectacles et installations sonores privil\u00e9gient la trans-disciplinarit\u00e9 avec des disciplines scientifiques et artistiques<\/strong>: peinture, vid\u00e9o, th\u00e9\u00e2tre, danse… d’autres langues que celle de la musique mais qui viennent la nourrir et qui nous permettent d’inventer de nouvelles formes d’expression.<\/span><\/p>\n

J’y d\u00e9ploie mes comp\u00e9tences musicales<\/strong> (composition, interpr\u00e9tation) et informatiques\/\u00e9lectroniques<\/strong> dans la recherche et cr\u00e9ation de musiques et dispositifs num\u00e9riques s’entrem\u00ealant avec le sensible \u00e0 la qu\u00eate d’une po\u00e9sie singuli\u00e8re<\/strong>.<\/p>\n

Avec notamment, ces derni\u00e8res ann\u00e9es:<\/p>\n

– le spectacle Na\u00efk\u00f6 (peinture \/ vid\u00e9o)<\/a><\/p>\n

– les expositions \u00ab\u00a0Confidences<\/a>\u00ab\u00a0, \u00ab\u00a0Racines<\/a>\u00ab\u00a0, \u00ab\u00a0P\u00e9pites<\/a>\u00ab\u00a0, \u00ab\u00a0Tisser des sons<\/a>\u00ab\u00a0<\/p>\n

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Mes cr\u00e9ations \u00e0 venir n’y feront pas exception : \u00ab\u00a0HyperSapiens\u00a0\u00bb (danse\/vid\u00e9o\/musique) et un polar graphique (peinture\/vid\u00e9o\/musique) avec l’\u00e9quipe du spectacle Na\u00efk\u00f6.<\/p>\n

Mes d\u00e9marches artistiques s’inscrivent aussi dans une qu\u00eate de sobri\u00e9t\u00e9 num\u00e9rique<\/strong> (num\u00e9rique responsable), j’utilise \u00e0 cet effet de vieux ordinateurs (machines re-conditionn\u00e9es) et privil\u00e9gie les low-tech (peu \u00e9nergivores) dans mes cr\u00e9ations et ma d\u00e9marche de communication sur les r\u00e9seaux sociaux limite l’usage de la vid\u00e9o le plus possible.\u00a0\u00a0<\/p>\n

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